Our work for Cupra’s “There’s No Second” wins multiple awards at the Palmares Awards in…
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Our work for Cupra’s “There’s No Second” wins multiple awards at the Palmares Awards in…
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Our work for Cupra’s “There’s No Second” was shortlisted for a Clio under the “Film…
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Our work for Cupra’s “There’s No Second” was shortlisted to AICP’s main show! Results in…
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Our work for Cupra’s “There’s No Second” wins multiple awards at the San Sebastian’s Club…
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I sat with Zoic’s PR team for a chat about the work that went into…
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Our work for Amazon’s and the Russo brothers won the award under the “VISUAL EFFECTS — ONLINE”…
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I had the pleasure to chat with Oliver Webb of VFX Voice, the magazine of…
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Our work for Amazon’s and the Russo brothers was nominated under the “Outstanding Supporting Visual…
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Our work for Amazon’s and the Russo brothers won the award under the “Outstanding Supporting…
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Our work for Amazon’s and the Russo brothers was nominated under the “Outstanding Supporting Visual…
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Another cool interview about what went into the work we did for season 2 of…
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I had a great time chatting with Vincent Frei about what went into the work…
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Finally, our work on Season 2 of the fantasy series, which was done in 2020,…
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I had a great time chatting with Trevor Hogg about what went into the work…
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Here’s a review I wrote (and photographed) for one of the pieces of my watch…
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I was invited to write a review for one of my favorite watches, the German-made…
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The trailer for Ghost of Tsushima, which I directed in partnership with my awesome team…
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The trailer for Ghost of Tsushima, wins two Tellys under the Online Commercials category: A…
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A piece I’m particularly proud of, the trailer for Ghost of Tsushima, got a nomination…
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Our team at Digital Domain won the category in an unexpected turn of events given the incredible level of the competition!
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https://www.digitalmediaworld.tv/vfx/2798-digital-domain-gets-lost-in-space-with-a-new-breakdown-reel
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https://www.cbr.com/lost-in-space-did-interstellars-best-scene-better/
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Here’s a short piece the Air Force Recruiting folks created to showcase the piece I…
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I was interviewed by Victoria Atkin, an actor and performer I’ve worked with in the…
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A spot I directed for “Call of Duty: Black Ops 4”, subtly called “No One…
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On two categories, Outstanding Supporting Visual Effects in a Photoreal Episode and Outstanding Effects Simulations…
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Hello friends, happy new year! Let’s celebrate with music once again. Here’s my music collection…
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Here’s a link to an article on the VES’ new visual effects centric magazine, VFX…
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I had the privilege to spend an evening at Gnomon School of Visual Effects, speaking…
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We won for “Outstanding Supporting VFX on a Photoreal Episode”. Here’s a behind the scenes…
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On two categories, Outstanding Supporting Visual Effects in a Photoreal Episode and Outstanding Compositing in…
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Hello friends. Once again, here’s my music collection for the year. Here are a couple…
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Hello friends. Here are a couple different ways to listen to my 2016 music collection.…
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Here you can stream every single one of my music collections from 2001 to last…
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Our work on Season 3, Ep. 3 (a.k.a. XXI) gets a nod under the Outstanding Visual…
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For Outstanding Special/Visual Effects. This was the work we did for “The Storm” on Ep.…
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For “Outstanding Supporting Visual Effects in a Photoreal Episode” and “Outstanding Created Environment in an…
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The work we did for Episode 10 of Starz “Black Sails” Season 2, gets nominated…
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The 2K/Turtle Rock “Evolve” stand-alone logo piece wins GOLD under the “Best Product Logo Design”…
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The spot I did last year for Halo, as well as three other spots we at Digital…
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You can check the spot here!
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