I sat with Zoic’s PR team for a chat about the work that went into…
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I sat with Zoic’s PR team for a chat about the work that went into…
Read MoreOur work for Amazon’s and the Russo brothers won the award under the “VISUAL EFFECTS — ONLINE”…
Read MoreI had the pleasure to chat with Oliver Webb of VFX Voice, the magazine of…
Read MoreOur work for Amazon’s and the Russo brothers was nominated under the “Outstanding Supporting Visual…
Read MoreOur work for Amazon’s and the Russo brothers won the award under the “Outstanding Supporting…
Read MoreOur work for Amazon’s and the Russo brothers was nominated under the “Outstanding Supporting Visual…
Read MoreAnother cool interview about what went into the work we did for season 2 of…
Read MoreI had a great time chatting with Vincent Frei about what went into the work…
Read MoreFinally, our work on Season 2 of the fantasy series, which was done in 2020,…
Read MoreI had a great time chatting with Trevor Hogg about what went into the work…
Read MoreHere’s a review I wrote (and photographed) for one of the pieces of my watch…
Read MoreI was invited to write a review for one of my favorite watches, the German-made…
Read MoreThe trailer for Ghost of Tsushima, which I directed in partnership with my awesome team…
Read MoreThe trailer for Ghost of Tsushima, wins two Tellys under the Online Commercials category: A…
Read MoreA piece I’m particularly proud of, the trailer for Ghost of Tsushima, got a nomination…
Read MoreOur team at Digital Domain won the category in an unexpected turn of events given the incredible level of the competition!
Read Morehttps://www.digitalmediaworld.tv/vfx/2798-digital-domain-gets-lost-in-space-with-a-new-breakdown-reel
Read Morehttps://www.cbr.com/lost-in-space-did-interstellars-best-scene-better/
Read MoreHere’s a short piece the Air Force Recruiting folks created to showcase the piece I…
Read MoreI was interviewed by Victoria Atkin, an actor and performer I’ve worked with in the…
Read MoreA spot I directed for “Call of Duty: Black Ops 4”, subtly called “No One…
Read MoreOn two categories, Outstanding Supporting Visual Effects in a Photoreal Episode and Outstanding Effects Simulations…
Read MoreHello friends, happy new year! Let’s celebrate with music once again. Here’s my music collection…
Read MoreHere’s a link to an article on the VES’ new visual effects centric magazine, VFX…
Read MoreI had the privilege to spend an evening at Gnomon School of Visual Effects, speaking…
Read MoreWe won for “Outstanding Supporting VFX on a Photoreal Episode”. Here’s a behind the scenes…
Read MoreOn two categories, Outstanding Supporting Visual Effects in a Photoreal Episode and Outstanding Compositing in…
Read MoreHello friends. Once again, here’s my music collection for the year. Here are a couple…
Read MoreHello friends. Here are a couple different ways to listen to my 2016 music collection.…
Read MoreHere you can stream every single one of my music collections from 2001 to last…
Read MoreOur work on Season 3, Ep. 3 (a.k.a. XXI) gets a nod under the Outstanding Visual…
Read MoreFor Outstanding Special/Visual Effects. This was the work we did for “The Storm” on Ep.…
Read MoreFor “Outstanding Supporting Visual Effects in a Photoreal Episode” and “Outstanding Created Environment in an…
Read MoreThe work we did for Episode 10 of Starz “Black Sails” Season 2, gets nominated…
Read MoreThe 2K/Turtle Rock “Evolve” stand-alone logo piece wins GOLD under the “Best Product Logo Design”…
Read MoreThe spot I did last year for Halo, as well as three other spots we at Digital…
Read MoreYou can check the spot here!
Read MoreYou can check the spot here
Read MoreThis is a link to an Fxguide.com article. I created the piece after finishing the…
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